"On 'Could’ve Been the Wine' there are piano runs and a shaker in this song of deep realizations and resolutions: 'could’ve been the wine, could’ve been a memory, could’ve been a thousand things to catch your eye / what in the world’s come over me?'  The guitar melodies are open and memorable. Lynn wrote this one while observing folks in an airport bar, but with the intimate feel it might well have been written for his best friend." (Americana Highways)

“'Something in Your Day' opens the album spaciously with banjo and melodious pedal steel that sound like they’ve floated in on the breeze in a pure state. The song is a gently loving homage to someone he’s known since childhood as he recounts tales from growing up: 'you were something in our day.' The connection is strong throughout years of self-discovery." (Americana Highways)

“'Great Big World' tackles this topic again, from another angle: that of road tripping, and searching the great big world. This song was written for Lynn’s father." (Americana Highways)

“'Refinery Town' starts with a count off and plucked melodies, and it’s a heartland rock number with prominent fiddle, muscular harmonica, shaker, and the ominous feeling that you need to get out of an oil boom town. Or not. An ode to Port Arthur, Texas, this one considers the question: What if you don’t go as a kid, you don’t go to college, and you stay to raise a family? 'It’s safe to bet now that I’ll never leave.'” (Americana Highways)